Thermionic conversors

February 21, 2018 by

via Thermionic conversors

@CalciteAsh News #GOP #UNIDO Sometimes STUFF just piles up! 17 February 2018

February 17, 2018 by

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https://www.facebook.com/arthur.lempereur

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http://petras.lahaine.org/

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http://www.rupertwilloughby.co.uk/the-incredible-journey-of-victor-hugos-dog/alexandre-dumas-fils-introduces-his-mistress-nadezhda-naryshkina-to-george-sand-at-nohant/

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https://www.youtube.com/user/CGPGrey/videos

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https://billyburke.churchcenter.com/registrations

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https://www.youtube.com/user/twcjr44/videos

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https://mimisdiscos.blogspot.com.br/

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“Mentored and trained by the omniscient and supreme perfected yogi Sri Babaji Nagaraj, Alexander composed this step-by-step guide to aid you on your journey of self-realization.”

https://www.kobo.com/ca/en/ebook/the-great-master

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http://www.dailymail.co.uk/sciencetech/article-5346849/Tesla-sell-roof-tiles-batteries-Home-Depot.html

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“In this volume unification is further perfected in nine chapters as follows.”

https://www.epubli.de/shop/buch/Principles-of-ECE-Theory-Volume-II-Ulrich-Bruchholz-Stephen-Crothers-Douglas-Lindstrom-Myron-Evans-Horst-Eckardt-9783745019575/67318

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http://www.knigabg.com/index.php

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http://www.alaskahighwaynews.ca/opinion/columnists/pettit-the-end-of-energy-scarcity-1.23162212

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http://www.tri-cityherald.com/

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http://cloverislandinn.com/

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http://www.sciencemagazinedigital.org/sciencemagazine/06_january_2017?pg=24#pg24

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“In conducting his experiments with alternating currents of high frequency and high potential Mr. Tesla has found it necessary to devise new forms of apparatus to produce and control the current with which be has achieved such interesting results.”

https://books.google.com/books?id=Nj8jAQAAMAAJ&pg=PA75&lpg=PA75&dq=”Tesla+has+found+it+necessary+to+devise”

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“nikola tesla” “mark bain” “the live room”

[The following is a bit difficult to decode, but portions are only found at these two links.]

https://archive.org/stream/thresholds141997mass/thresholds141997mass_djvu.txt

https://archive.org/stream/thresholds161998mass/thresholds161998mass_djvu.txt
TRANSIENT ARCHITECTURE on the making of the Live Room Mark Bain

The Live Room is an intensified site where machines fuse with the architecture combining forces of action and form, structure and space. The act suggests a liberation of tectonics from the boundaries of the static, creating a place where resonant surfaces react in sympathy to induced frequencies. With this work, I am interested in TRANSDUCING ARCHITECTURE, driving spaces with external influences of a vibro-kinetic nature.

/ was experimenting with vibra- tions. I iiad one of my macliines going and I wanted to see if I could get It in tune with the vibration of the building. I put It up notch after notch. There was a peculiar cracking sound. I asked my assistants where did the sound come from. They did not know. I put the machine up a few more notches. There was a louder cracking sound. I knew I was approaching the vibration of the steel building. I pushed the machine a little higher Suddenly all the heavy machinery In the place was flying around. I grabbed a hammer and broke the machine. The build- ing would have been about our ears in another few minutes. Outside In the street there was pandemonium. The police and ambulances arrived. I told my assistants to say nothing. We told the police it must have been an earthquake. That’s all they ever knew about it. ‘ – Nilkola Tesla

The destructive potentials of acoustic energy All materials have a resonant frequency. Build- ings too have their own particular resonant frequency. If this frequency, also known as the value of efficient excitation, is accurately located, it IS possible to use mechanical reinforcement to literally ‘ring’ the material, like striking a bell. And through a feedback system, it is possible to produce a phase aligned addition to this wave form where potentials for the material oscillate out of control.

In 1898 the inventor Nikola TesIa was working with similar energy imparting devices which was said to be so small “you could put lonel in your overcoat pocket.” The notorious event of the earthquake was said to have also created intense sympathetic vibrations two blocks away from Tesla’s laboratory creating a similar extreme reaction.

projectiles

Projectiles to the Live Room

The Live Room is related to another project of mine titled Projectiles^ With this earlier project I stated that “the goal is to design small scale devices which attach to the exteriors of pre-existing structures, inhabit the surfaces and exert influence on it. “2 I designed various components that when hurled at buildings would stick to the surfaces and inject different causative effects such as material dissolu- tion and biological intrusions. This re-formative process engaged the structure as an external agent, a re-constructive parasite shaping form beyond the architect’s original intention. The building therefore became the datum, the blank screen or canvas for the enabling influence to take hold. This project provided a subtractive process as a counterpoint to the purely additive tradition of the standard architec- tural practice. The Live Room works in a similar way to the Projectiles, engaging the architectural datum, running energy through it and sounding the struc- tures of space. Fig. 29. Complainls m various organ regions in relation to siimulaling vibration frequende: (Magtd and Coertnann I960) Like the Projectile project, The Live Room also utilizes portable equipment to infect the host site, although not as small as the devices envisioned for renegade bands of archi-terrorists which the earlier project imagined. The Live Room instead utilizes small acoustic intensifying equipment which are mounted directly to interior (or exterior) surfaces and create large scale ‘tectonic charging’ through vibra- tion. By using various transducing devises and signal generation equipment, I can effectively ‘tune in’ a space by delivering its resonant frequency to the walls and structure of the site. Normally we think of sound as waves of energy traveling through a medium (such as air) on its way to the ear. Because the molecules are more spread out, gases like air are in fact less efficient mediums for sound to travel than liquids or solids. Therefore the solids which make up most architectural forms can be thought of as very efficient conductors of vibro-acoustic energy. In my design, I use five inch diameter plate transduc- ers bolted to the walls, and mechanical oscillators bolted to the structural members which make up the floor. Even though these electro-mechanical device don’t produce their own sound, the energy they impart changes the surfaces into what, in essence, is an infinitely large speaker. By using six or more of these specialized transducers in an enclosed space, I can drive the room with acoustic energy derived in response to the shape and material makeup of the room. Thresholdsie electromechanical ocillator The project The Live Room is an interactive vibro/kinetic environ- ment which directly engages the architecture of the room and is controlled by the action of people as they move throughout the space. The project consists of three high speed electromechanical oscil- lators which are placed in the center of the room and are triggered by six separate infrared motion sensors. The oscillators are hybrid machines of my own design, incorporating elements from six large computer hardrives which are now obsolete and were donated by the MIT Computer Sciences Lab. Each oscillator consists of two hardrive disk assem- blies bolted together so that the disks overlap each other and spin in opposite directions. These disks have two motors connected to them, one driving the spinning action of the disks (acting as a flywheel) and the other utilized as a power generator produc- ing a variable voltage and frequency. These ‘signals’ from the six generator motors lead directly via wire to six separate electro-mechanical sound transducers which are mounted on all four walls of the space. These transducers essentially turn the wall surfaces into large speakers, imparting acoustic vibration in direct relation to the spinning oscillators. The unique aspect of these devices is the fact that they do not require any additional sound amplification or supple- mentary equipment to produce the acoustic events. All the sound is derived from and is the direct result of the linkage to the spinning disks. The Live Room is sited in Building N51 on the MIT campus which was originally part of the General Radio Corporation that manufactured electronic labo- ratop/ test equipment until the 1950’s. Later the building was occupied by Draper Laboratory which developed missile guidance systems for ICBMs and the Atlas rocket during the Cold War. The space being used for this project was originally designed as a specialized vibration isolation room. Because of the sensitive nature of the equipment, the workshop has eight massive concrete isolation pads which float on beds of gravel and sand and are separated from the rest of the building foundation. The pads, incorporated into the subfloor system, are surrounded by a floor plate of 1/2” thick aluminum plate mounted on a suspended girder system. By aluminum plates on suspended girder system with two vibration isolation pads attaching three mechanical oscillators to the main support system of this suspended floor plane, the ten by fifteen foot area acts as a planer resonator or large speaker like surface. With the use of three oscillators, the floor area essentially becomes a tunable musical instrument with harmonic pulse frequencies shifting in relation to the fundamental settings of the oscillators. When standing on this surface, the vibrations travel efficiently throughout the body. While also passing through persons who are standing on the floor plates, wave forms also propagate in one area of the floor and travel towards other areas. To help visualize the wave form propa- gation, fine sand is used on the floor to locate the nodal points and the active areas. This technique is an architecturally scaled version of some of the work developed by the eighteenth century Hungarian researcher Ernst Florens Friedrich Chladni.^ His famous ‘Chladni’ figures utilized fine powders placed on metal plates which were activated with a violin bow. The powder medium when vibrated would suddenly organize into symmetrical patterns which corresponded to active and non-active areas. In the Chladni patterns there was also a direct relation to the material makeup of the plates, the frequency of excitation and the type of powder used. When participants walk on the floor surface of the Live Room the footsteps disturb the sand and distribute it randomly. At the same time, the vibrations of the floor induce a self organizing action onto the sand which corresponds to the shifting frequencies. 1 Article from the New York World-Telegram, July 1 1 . 1 935 2 Prolectiles, Mark Bain, Thresholds 14, MIT Department of Architecture, 1997 3 Chladni Figures: A Study in Symmetry. Mary Desiree Waller, G Bell and Sons, London, 1961 “Obsolete” Space Mark Bain’s ‘Live Roonn’ questions lifecycles of materials and space in a tfirow-away culture. By transform- ing an “obsolete” laboratory into an acoustically expenential space, Bam negotiates the boundaries between art and function, usefulness and obsolescence. – editors

OLYMPUS DIGITAL CAMERA

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My Watkins family history

February 13, 2018 by

Dr. Myron Evans

Cyfarch Cefnder!

Diolch yn fawr iawn, mae hwn yn hynod o ddiddorol. Priododd Anne Watkins, mamgu eich Anne Watkins y Grithig, fy hendad William Morgan, brawd Morgan Morgan Craig y Nos. Fe fyddaf yn barod i gyhoeddi’r llyfr ar www.aias.us, gyda’ch cytundeb wrth gwrs. Many thanks, Anne Watkins, grandmother of your Anne Watkins Y Grithig, married my ancestor Wiiliam Morgan, brother of Morgan Morgan Craig y Nos. With your permission of course I will be glad to publish this book on www.aias.us. Cytunaf bod y Censi yn gwneud cawlach yr uffern o’r iaith Gymraeg. I agree that the Censi make a devil’s broth out of the Welsh language.

Myron

My Watkins family history
To: myronevans123

Hi,

I thought you might like to read through the following information about my Watkins family connections. I trust that it will be of some interest to you, most of the information has…

View original post 906 more words

Writing Up UFT401

February 13, 2018 by

Dr. Myron Evans

I will write up this paper tomorrow, its main new idea is the introduction of the gravitational acceleration due the vacuum fluctuations responsible for the Lamb shift.

View original post

401(5): Final Version of Note 401(4)

February 13, 2018 by

Dr. Myron Evans

OK many thanks!

sorry, I meant eq.(7), it should read G^2 and r^2, only a minor typo.

Horst

Am 12.02.2018 um 15:07 schrieb Myron Evans:

Many thanks again! Agreed about Eq. (9) but Eq. (5) is all squared on both sides, so seems to be OK.

401(5): Final Version of Note 401(4)
To: Myron Evans <myronevans123>

There are two typos in (5), and in (9) a power of 1/2 is missing for the term <delta r * delta r>. The result (15) is correct as verified by computer.

Horst

Am 12.02.2018 um 10:06 schrieb Myron Evans:

After some discussions with Horst I refined the calculation to give Eq,(15), which is positive on both sides. The expression for the frequency of gravitational fluctuations, Eq. (11), remains the same. It can be concluded that vacuum fluctuations are the origin of the spin connection and of relativity itself, which has also been Horst’s…

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UFT88 Consulted at Montana State

February 13, 2018 by

Dr. Myron Evans

UFT88 Consulted at Montana State Bozeman

Montana State is ranked 459 in the world by webometrics and 601 – 800 by Times, unranked by QS and Shanghai. It has 16,703 students and was founded in 1893, shortly after Montana became a State. It has an acceptance rate of 83.8%. UFT88 is a famous paper in the world of science, and appears on the first page of Google , tenth out of 1,110,000 results for keywords second Bianchi identity without inverted commas. The meticulous and well known scientometrics track its progress since it was published in 2008, and it has been consulted tens of thousands of times without objection, at several hundred world ranking universities, including the best in the world such as Oxford, where it was consulted recently at its Institute of Mathematics. It is the most well known of almost a hundred refutations of Einsteinian general relativity in the…

View original post 81 more words

401(5): Final Version of Note 401(4)

February 12, 2018 by

Dr. Myron Evans

Many thanks again! Agreed about Eq. (9) but Eq. (5) is all squared on both sides, so seems to be OK.

401(5): Final Version of Note 401(4)
To: Myron Evans <myronevans123>

There are two typos in (5), and in (9) a power of 1/2 is missing for the term <delta r * delta r>. The result (15) is correct as verified by computer.

Horst

Am 12.02.2018 um 10:06 schrieb Myron Evans:

After some discussions with Horst I refined the calculation to give Eq,(15), which is positive on both sides. The expression for the frequency of gravitational fluctuations, Eq. (11), remains the same. It can be concluded that vacuum fluctuations are the origin of the spin connection and of relativity itself, which has also been Horst’s view for some years. The vacuum is developed in exactly the same way as in Lamb shift theory, noting that this theory is classical and…

View original post 8 more words

401(5): Final Version of Note 401(4)

February 12, 2018 by

Dr. Myron Evans

Much appreciated!. All this is taking place within a generally covariant unified field theory, so being generally covariant, it is general relativity in a space with finite torsion and curvature, ECE2 covariance. The aim is to reproduce all data to high precision in the simplest manner possible.

Date: Mon, Feb 12, 2018 at 10:30 AM
Subject: Re: 401(5): Final Version of Note 401(4)
To: Myron Evans <myronevans123>

Yes, great intuition by Horst and a major advance by both of you in demonstrating that vacuum fluctuations is the source of General Relativity itself. Truly magnificent.

View original post

401(5): Final Version of Note 401(4)

February 12, 2018 by

Dr. Myron Evans

After some discussions with Horst I refined the calculation to give Eq,(15), which is positive on both sides. The expression for the frequency of gravitational fluctuations, Eq. (11), remains the same. It can be concluded that vacuum fluctuations are the origin of the spin connection and of relativity itself, which has also been Horst’s view for some years. The vacuum is developed in exactly the same way as in Lamb shift theory, noting that this theory is classical and that Lamb shift theory is quantum mechanical.

a401stpapernotes5.pdf

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401(4): Gravitational Equivalent of the Lamb Shift Calculation

February 11, 2018 by

Dr. Myron Evans

This note can be viewed as the gravitational equivalent of the Lamb shift calculation, based on the same fundamental assumption, Eqs. (1) and (2). The angular frequency of the gravitational vacuum fluctuations is given in Eq. (19) and the isotropically averaged mean square fluctuation is given in terms of the magnitude of the vector spin connection in Eq. (22). The vacuum correction of the magnitude of the Newtonian force is given in Eq. (25). For forward and retrograde precession the spin connection can be found as in Note 401(3) and previous UFT papers. Using the magnitude of the force and the magnitude of the gravitational acceleration has the great advantage of reducing the complexity of the theory from fourth to second order in the Taylor series, so the calculation exactly parallels the well known Lamb shift calculation. The important difference is that this calculation is classical, and the Lamb shift…

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